Postcards from Vancouver – Record-breaking rain

The day I left for Vancouver last week was very much a Monday, in the most pejorative sense of the word. Due to huge line-ups at the security gate, even more huge line-ups at the Tim Hortons inside the departure lounge, and the most terrifying turbulence I’ve ever been subject to (as in, holding on to the seat in front of you in a white-knuckled death grip) I didn’t actually get my first coffee of the day until we were flying somewhere over Winnipeg, a good five hours into my day. And my personal TV thingee didn’t work. And thanks to the lack of coffee, I had a pretty good headache.

I’d been watching the weather for weeks, and the forecast for the day of my arrival had never varied: rain. Not showers, and not even a hint of potential sunshine. And it figures, this was the one time that the forecasts were 100% correct. The clouds were so heavy that I could barely see the tops of buildings let alone the mountains as we made the quick trip from the airport to downtown. It was the flattest, dullest, least-photo-friendly light you could possibly imagine — and yet I was still taken with how gorgeous a city Vancouver is. It reminds me of Ottawa, and of London Ontario, where I grew up. I was first struck by how green everything was, and by how livable the city seemed.

Despite the ongoing downpour, I was determined to make an adventure of my time in Vancouver. By the time I checked into the hotel, it felt like it should be late afternoon but in fact, it was barely 10:30 in the morning and the whole day stretched out in front of me. I packed my favourite lenses into my camera-backpack, grabbed the complimentary umbrella the hotel so courteously supplied (should have seen that as foreshadowing!) and headed out. I wasn’t even completely sure where I was headed, but by the time I hit the lobby I figured Granville Island would be a good place to start.

With umbrella clutched in one hand and holding my jacket closed over my camera in the other, I stepped out into the rain. After a block or two, I shifted my backpack to my front to better protect it from the rain. The walk to the aquabus mini-ferry that would take me across False Creek to Granville Island was only about eight blocks, and I was delighted to find an edifying cup of Tim Hortons coffee on the way.

This is the Burrard Street bridge, a block down from my aquabus stop. I’d spend a lot of time on my Vancouver mini-vacation either pointing my camera at or standing on this bridge pointing my camera at something else. And FWIW, when the light is so unbearably flat that the world is almost monochrome anyway, B&W photography is your friend!

Burrard Street Bridge

This, on the other hand, is the Granville Street Bridge. Most of Granville Island, which isn’t really an island but a peninsula, is tucked underneath it.

Granville Street Bridge

And then, like a burst of sunshine, I found the public market. It was warm, it was dry, and it was unbelievably photogenic.

Hooray! Something to photograph where it isn't raining!!

Granville Island market flower shop

Fine porcelain painter

Coffee break

I wandered happy little loops around the market building for a couple of hours, stopping now and then to have a bite to eat (fresh cheese and spicy sausage for lunch, a banana and another coffee for a snack) and to touch base with the rest of the world on my iPhone.

I have to tell you, I started out homesick and never really got over it. I love love love traveling, and exploring a new city by myself with a camera is just about the definition of a perfect day rain or not, but everything I saw I wanted to share with someone. When I saw this candy shop, for example, my first thought was for Beloved and how he’d be drooling over it. I even e-mailed him this picture: Wish you were here?

Wish you were here?

And then I discovered the amazing Kids’ Market at Granville Island, and missed the boys even more. It’s a whole warehouse dedicated to kids’ stuff — multiple toy stores, book stores, kids’ clothing stores, and even a huge indoor play structure.

Granville Island Toy Company

Flags and puppets

Alas, I could only spend so many hours in the warm, dry and not-raining market before I had to move back out into the rain. I explored the marina for a few moments before hoping back on the aquabus and heading back downtown.

Propeller

It was still only mid-afternoon Vancouver-time by the time I made it back to the hotel, even though it felt like it should be the middle of the night. I paced around my hotel room for a little while, considering various options, before I decided that the Pacific Centre would make a good option for more rain-safe wandering. Plus, they had a Tim Hortons. It was all I needed to motivate me back out into the wet, umbrella clutched like a talisman.

102:365 Rainy day in Vancouver

I was too tired to be interested in much more than idle wandering, until I discovered H&M. I’d heard people raving about H&M before, but had no idea what a fantastic store it was. Really, why do we not have one of these in Ottawa? Great quality stuff and, at least while I was there, amazing sale prices. So what did I stock up on? Clothes for the boys, of course.

By the time I was shopped out, it was close enough to dinner time for me to call it a day. I stopped one last time to take pictures of these daffodils across the street from my hotel (it’s been kind of disappointing to return to the pre-spring muddy brown that predominates here in Ottawa after the lush verdancy of emerald green and blooming Vancouver!) and thought the composition with the umbrella in the background was a nice take on the old “April showers May flowers” cliché.

Daffodills

Soaked to my knees and thoroughly walked out, I finally made it back to the hotel room. It would be nearly a full day before my hiking boots dried out! I figure I probably walked a good 10 km or more, and though I was quite proud of myself for actually getting out despite the rain, it seemed by the throngs of people in the street that getting out in the rain isn’t much of an accomplishment for Vancouver natives.

The view from the hotel room, by the way, was pretty spectacular, looking right down on Robson Street and the commercial district.

102b:365 Hello Vancouver

I had to laugh when I was listening to the local weather that evening. Not only had it been a rainy day in Vancouver, but it had been a record-breaking day for rain. The previous record for April 4 had been 18 mm of rain, and up until the evening news broadcast, more than 30 mm of rain had fallen. Somehow, that made it all worthwhile. πŸ˜‰

The case for and against digital negatives

My friend Sara wrote an interesting post the other day. Basically, she was lamenting the fact that she had a hard time finding a photographer who would provide the digital negatives when she had portraits of her two (gorgeous!) boys taken. In fact, this post is largely a paraphrasing of the comment I left on her blog.

I’m really struggling with the idea of providing digital negatives when I provide portrait services. On the one hand, I completely sympathize with the desire to have control over the negatives, digital or otherwise. When we had our wedding pix done waaaaay back in 1999, the number one thing I wanted was access to the *film* negs. (Of course the huge irony is that we never really made any prints. Sigh.)

I used to think that the main reason that photographers wanted to keep control of the negatives was to generate future sales. That may be true in some cases, but here’s the argument that’s making me lean toward offering only low-resolution digital images: control over the final product, and making sure that the prints are done properly.

First, there’s the issue of making sure the image is properly balanced in the frame. I didn’t really *get* the concept of how aspect ratios affected a print job until a couple of years ago, even though I’ve been into photography for a long time. Aspect ratios determine the shape of the box that is your print: an 8×10, for example, is cropped is differently than a 4×6 print. As a photographer, part of my “vision” includes how the image is balanced in the frame, and the crop you’d set would change quite a bit from one size of print to another. If the client brings that digital negative to the photo lab at Costco, the client may not know to compensate for the various crop sizes or might not balance the image — something that I can now do intuitively.

I’m also being won over by the idea of getting printing done by a professional print lab instead of the local photo lab. There *is* a difference in quality, something I wasn’t convinced of myself just a short while ago.

Worst case scenario, what happens if a client brings that digital negative to a local lab, and doesn’t notice that there’s a bit of a colour cast — maybe it’s subtle, but just enough to make the print less perfect than it could be?

It’s possible that the client ends up with a print that’s not what I had planned with regard to composition or colour. There’s two things wrong with that from my perspective: first, the print is less than perfect, and I want everything to be perfect for anyone who entrusts their portraits to me. Second, the client is still calling that my work when I’ve lost control of the end of the process. What if someone really mucks up the print? So when the client’s BFF comes over and sees it on the wall, she thinks, “Hmm, I thought Danielle was a professional photog, but look at that green cast and how poorly that image is balanced in the frame. I won’t be hiring her to take pictures of MY family!” An extreme case, maybe, but the argument does make sense to me.

I keep waffling on this. I’m thinking the middle road is to offer hi-res negatives but only on the images a client has already ordered for print through me.

What do you think? Would having the high-resolution files as a part of a package matter to you? Do you think a photographer is giving up the cow as well as the milk in providing high-res files? Would you be happy with just low-resolution files for online use?

Edited to add: Thank you so much for your interesting insights and opinions. You’ll see that I have now decided to offer both prints and digital negatives (and a growing line of other products) with my packages. You can see more about my packages and prices here.

Project 365: Spring and other lovelies

I‘m so happy that I decided to document another year in pictures. I’m sure that I’d’ve been carting my camera around with me everywhere anyway, but it’s giving me lots of inspiration to go out and take lots of different kinds of pictures, which I think is clear from this week’s mishmash of subject matter!

Really, it’s all about the light. I was carrying a load of folded laundry into Lucas’s room last weekend when I noticed how the sun was hitting the shelves in his room, and I literally dropped the basket so I could go get my camera before it shifted too much. (It’s true, I’m just in favour of *any* excuse not to put away folded laundry, surely one of the most onerous and despised of domestic tasks.) Doesn’t this just capture something elemental about childhood, though?

93:365 Lucas's shelf

And speaking of Lucas: he may not be potty trained, but at least I’ve got him trained to smile on cue. Personally, I think the latter is a more valuable skill at this point in our family’s life!

94:365 Mommy's little model

This fanciful bit of glass has made it into the 365 project already in TtV form. In this one, I like how the screen door behind it gives the bokeh (the out of focus areas) that square mesh look.

95:365 Star glass

I bought milk in this jug months ago explicitly for the purpose of taking a picture of it… and then it sat on my kitchen counter waiting, waiting, waiting. (No, I didn’t leave the milk in it that whole time.) I tried several variants of cookies near bottle and cookies in front of bottle before I finally had the brainwave of cookies on top of bottle. I think it took me about 30 minutes and as many shots before I finally got this one. Obsessive much? I do love how it turned out though!

96:365 Snacktime

This was Wednesday, the first really lovely day of spring, and the boys had broken out the bikes for the first time since we moved here. I love the expressions on their faces, totally candid and unaware that I was even taking their picture.

97:365 The race

I found out this week that — horrors!! — my new camera doesn’t fit into my TtV contraption! I’ll have to adjust the neck of it a bit to accommodate some of the fiddly bits that the D7000 has that the D40 doesn’t. Oh well, I don’t mind using the D40 as a dedicated TtV camera in the interim. This is what I call an early version of the CameraPhone. πŸ˜‰

99:365 Cameraphone TTV

I’d been walking around outside looking for something to photograph, and when I came back in the house Beloved and the big boys were piled like a heap of puppies on the couch. I pointed my camera at them and snapped, and I like this one so much that I made a gallery canvas of it with a coupon I had. I can’t wait to see how it turns out!

98:365 My menfolk

And, since this week was the end of March, I also made a mosaic of all my pictures for the month.

March 2011 dailypic mosaic

Who knew March could be so lovely? πŸ™‚

Pussywillow post script

I mentioned yesterday that I had one last 365 photo from last week to blog about. It’s got not one but two backstories attached to it, though, so I figured it needed a post of its own.

My mom knows I love pussywillows, and she buys them for me just about every spring. I don’t know why I started liking them so much, but now I love them because my mom gives them to me. πŸ™‚

So a few days ago, she brought me a giant bundle of pussywillows, but these ones had something I’d never seen before. Green bits! And roots! See?

pussywillows

They’re easily the most lovely pussywillows yet. I was so intrigued by the sprouting bits and the roots, that I decided I was going to plant them in the yard. I mean, the only thing better than being gifted with pussywillows each year is picking yer own, right? And so I started reading about it, and it turns out they’re dead easy to grow, but I’ll never be able to plant these ones.

You see, pussywillows are in fact a part of the willow family, and willow trees and septic beds do not get along. Willows love water, and their invasive roots get into the pipes of a septic bed and gum it up. And frankly, I do *not* want to antagonize the septic system!

I’m thinking maybe I can plant them in a container or something and keep their roots bound in a pot. Any ideas?

Anyway, as I said, this photo has not one but two backstories to tell. When I posted it on Flickr, I got what is a rare and delightful treat: a complete stranger made a constructive comment with a helpful suggestion on how to improve the image.

Kate said:

Your Mom is a treasure! This is a stunning shot and creatively cropped. I too am on a septic bed and these darling bushes love water and are best planted somewhere else for sure. I would like to make a suggestion..if you don’t mind..and if you do I will apologize in advance… If this was my shot I would clone out the fuzzy flower on the far right as it seems distracting to my eye. The branch on the right offers simplicity to the shot which seems a bit lost because of the flower. Its all subjective so I hope you don’t mind my saying this. This is a shot I would hang of my wall.

And damn if I didn’t totally agree with her. I couldn’t even look at the image without that darn bushy willow flower dragging my eye down, practically flaunting its annoying presence, so much so that I couldn’t see how I’d not noticed it before.

As facile as I’ve become with some aspects of Photoshop, though, cloning things out was not in my repertoire. Fortunately, I’m married to someone who teaches Photoshop for a living — how convenient is that? — and I finally managed to coerce him into teaching me how to properly use the clone stamp and patch tools.

And voilà — pussywillows redux:

91:365 Pussywillows

She’s right, isn’t she? It’s so much cleaner without that extra fuzzy green puff in the bottom right corner. I know, if you look closely, you can see remnants of the clone stamping — but the kids were all “feed us dinner” on me, and seemed to think that eating was more important than me finessing my pussywillows, so that’ll have to do for now.

So the good news is, my mom IS awesome and I love that she gives these to me. The bad news is, I can’t plant them in the yard after all. The good news is, I learned a new trick or two.

That’s a lot of mileage out of a couple of pussywillow branches!

Project 365: Portraits and paints and post-scripts

I‘ve noticed two huge differences between my first 365 project and this one.

The first is that I’m taking less pictures of places and things, and more pictures of people. I think this is partly situational; when I was working near the Market, a daily walk at lunchtime gave me endless photographic inspiration. But more than that, I think it’s a comfort thing. I like taking pictures of people more now because I’m better at it.

The second difference I’ve noticed in this iteration of my 365 project is that I’m a LOT less anxious about it. I was poking through my 365 archive and had to laugh at the sheer amount of angst I was feeling about the project at this point the first time around. The new camera certainly helps me feel inspired about picture-taking, as does the Mothership Photography thing, but mostly I’m just not finding it as difficult as I did the first time around.

And now, with a complete lack of segue or even the mildest hint of a transitional paragraph, here’s the how the world looked through the viewfinder this week.

We’ve been patiently waiting for the weather to turn mild so we can enjoy walking into the village more often. We finally made it out for a wander with Beloved’s visiting family last weekend. We wandered about Manotick, from the Mill to the Gingerbread Shop to the Toy Shop to GT Boutique and back. It’s going to be delightful in the summer, as it was still a little, um, brisk, to be out in the cold March wind.

86:365 River boys

See? Cold. And this was one of the warmer days of the week — at least it got above freezing when the sun came up this day.

87:365 Frosty

Another frosty walk brought me to this carriage house on Long Island, not too far from our place. I’m curious about the history of this place. I think it belongs to one of the original houses on the island, which was scrubby farmland for the most part until development started in the 1950s and 1960s.

89:365 Carriage house

This one is from the other end of the Rideau River. I was at a course for a couple of days this week in the Old City Hall building on Sussex, and went out on my lunch break to snap a few pictures. I liked this lattice fence on the bridge to Maple Island — such a gorgeous area. It was already a monochromatic kind of picture because of the white fence and snow and dark branches, so I pushed it all the way into B&W to emphasize the shapes and tones and depth of the layers.

92:365 Fence

From monochromatic to technicolour — I can never resist pictures of little fingers at work. (I know, I know, I cut his nails about 10 minutes after I took this one!)

90:365 Painting

This is one of my favourites for the week. This is Beloved’s dad, drawing ducks at Lucas’s request. He’s just as kind and warm and sweet as he seems in this picture!

88:365 Lucas and Pipi

This post is getting rather rambly, and I’ve got one more picture that begs for a post and some excessive rambling of its own. Stand by for the pussywillow post-script!

Project 365: Oh my, but I do love this new camera!

So I am head-over-heels in *love* with my new camera!

For those of you who missed it last week, I finally upgraded my trusty and well-loved Nikon D40 last week. Way back when we bought it in 2007, we waffled over the upgrade to a D80, but it seemed like more camera than I would ever need. And quite frankly, it was the right choice at that time.

Over the years, though, I started to run into a few limitations on the D40. It wouldn’t auto-focus my favourite lens, for one thing. It has a very limited ISO range for another. And not that I use flash a lot, but I was intrigued by the idea of using my pop-up flash to trigger my hot-shoe flash remotely — something the D40 could not do but the 90 could.

It was about half way through my first 365 project in 2009 that I started to actively covet the D90. I couldn’t justify the expense, though, when the D40 was doing 80% of the job I needed from it. Over the last six months, though, it has become increasingly apparent that the D40 is getting a little, um, tired. North of 30,000 shutter clicks, and I’m not sure it’s registering saturated reds and yellows anymore, and the autofocus is getting noticeably soft.

I proposed that I reinvest some of my blog and photography money into a new camera, and Beloved agreed it was time. And then I started looking around and discovered this awesome new camera that I’d been hearing about since it was released by Nikon last autumn, the D7000.

And I wanted one. Badly! In what I thought was a brilliant plan, I used Beloved’s own tactic of mentioning the idea of investing in a D7000 over a D90 every time there was a lull in the conversation for three days.

“Hi sweetie, how was your day? So, did you think about the D7000 yet?”

“Can you pass me the ketchup, please? And did you read that DP Reviews l link I sent you about the D7000?

“Wake up, you’re late for work! And hey, did you know Ken Rockwell calls the D7000 the best digital camera EVER?”

Yeah, it’s totally annoying. And it totally works. That’s how he got his laptop, and BluRay player, and flat-screen TV. He’d been annoying the snot out of me about the iPad, and so we made an unholy deal where I could get the D7000 if he could get an iPad 3 when they come out in September. Oy, what a family!

Do you speak camera? The D7000 has a 16MP sensor, while the D40 has a 6MP sensor. The D7000 has 39 focus points where the D40 has 3. And where the D40 has an ISO range of 200 to 800 (it actually goes to 3200 but I have yet to get a decent picture above 800 even using Lightroom’s noise reduction features) the D7000 has a dizzying 100 to 25,600 range. Be still my low-light-loving heart!!

It is, in short, the most! amazing! camera! ever!

The proof of the pudding is in the eating, though, so all the technical specs in the world don’t matter until you take that camera for a test drive. And here’s what that beauty can do.

This is Tristan enjoying a hot chocolate on our annual pilgrimage to the Log Farm sugar shack.

81:365 Log farm (1 of 6)

And Simon, also at the Log Farm.

Log farm (2 of 6)

Here’s my tree-climbing, rope-swinging adventure boy in crisp and lovely detail.

80:365 Adventure boy

Even the best camera can’t compensate when you choose a depth of field too shallow to keep your ensemble in focus, but a good camera only goes so far! πŸ˜‰ Still, I’m happy with this capture of the boys and their cousins, who spent most of March Break with us.

83:365 Lunchtime

At the other end of the generational spectrum, we also had a visit from Beloved’s family this weekend. Ron is a fisherman par excellence, and Dee cooked us up what seemed like about 10 lbs of fresh whitefish. Don’t you just love houseguests who arrive with arms laden with delicious food and take over your kitchen to cook it?

85:365 Grandparents

I love love love this next picture. I love the luminosity of it, the warmth in the pose and the background, and the sheer joy of it. All the kids love “Uncle Beloved” because they know he’s just a bigger version of them, totally a kid at heart.

82:365 Ticklefest

The weather has been mild and melty, and the Rideau River is cresting this weekend. Last weekend, the water was rushing at Watson’s Mill even with the sluice gates fully opened.

79:365 Watson's Mill and the spring melt

And to my delight, the geese have returned from their winter sojourn. It must really be spring now! Funny, I have always noticed the geese on their fall migration, but only in living so close to the river have I noticed them on their spring return.

84:365 Signs of spring

(This is a crazy-deep crop of an image I took with my camera braced on my car, standing in the road about 50m from the river. The segment you see here is probably less than 1/5 of the original capture — and I’m thrilled with the amount of detail!)

As you can see, it was a ridiculously busy week, but a perfect one to take the new camera for a test drive!

On photography pricing and group deals

We had a really interesting discussion on Twitter this morning about professional portrait photography rates, and I thought it was one of those conversations that would be interesting to port over here to the blog.

You know those daily coupon deals, like Groupon and Living Social and Kahoot and the rest of them? I think I get a dozen or so of them every day, and while I’ve found some awesome deals (like a free membership to the Museum of Civilization, and half-price meals at East Side Marios) most of them I delete. A few of them I snicker first and then delete. And some just make me go “Hmmmm.” There was one today from a local photographer who was offering a $120 photo package for $40. Included in the package was “One-Hour Photo Shoot, One-8×10 Print, Two-5×7 Prints, Four-4×6 Prints and 16 Wallet Prints and a Digital CD of all Photo’s” (sic). And I thought, “Seriously?”

So I mentioned it on twitter, and all my photographer friends said, “I know, isn’t that insane?” while all my non-photographer friends said things like, “Well, it’s probably good for exposure and building a client base”. And I’m sure a few people thought, “Photography is ridiculously expensive, what nerve they have charging that much.”

454:1000 Old guard versus young whippersnapper

So let’s look at the deal from the photographer’s perspective. Those deal networks aren’t free — Groupon takes up to 50% of the fee, from what I’ve heard, and the others take in the range of 25% to 30%. For ease of counting, let’s assume they take 25% off the top, which leaves the photographer with $30.

For that $30, here’s what the photographer has to do: get in contact with the client and set up an appointment, show up with all of his/her gear (or have the available studio space, which adds huge overhead), spend an hour taking pictures and say another half hour getting there and back. That’s at bare minimum two hours, or $15 per hour.

It takes me about four hours to sort through the pictures from a session, select the best ones and polish them up. (Caveat: this is my favourite part, and I linger over it. So let’s say for the sake of argument the photographer is super-speedy and can do it in two hours.) So now we’re up to four hours, or $7.50 per hour. And then you have to contact the client again for the image selection process. You either create an online gallery, or sit in front of your computer with them, or at bare and unprofessional minimum, e-mail the low-res files to them. Another hour of work. And then the client picks their faves, and you have to prepare and submit them for printing. Even at Costco’s rates, you’re looking at $10 worth of printing. So that’s $20 divided by five hours, which is $4 per hour.

And THEN you have to think about taxes (say 30%) and equipment (say another 30%). You’re at less than $2 per hour now. Realistically, I think you’re actually at a huge loss by the time you’re done, and this doesn’t even address the opportunity cost of your time as you work with all these cheap clients when you could be drumming up business with paying clients — or working at McDonalds, for five times the hourly income. And you’ve given away the digital negatives, so that client has no reason to ever come back to you for future prints and lord knows what they’ll do to the images.

So the discount deal is obviously at the ridiculously cheap (and, IMHO, ultimately worthless) end of the spectrum. Sure, the photographer may build some clients, but they’ll likely want the $40 deal next time. And I think the photographer undervalues him or herself by setting prices too low. And I genuinely believe there’s an argument to be made that it devalues the profession of photography as a whole.

I’m very lucky. I’m not making my living at this, so I have nothing to lose except my time, and I still wouldn’t devalue myself like that. I have to admit, when I first saw the going rates for professional family photography, I balked at first too. Why would someone pay $150 just for a session fee when you can get a portrait package at Loblaws for $45? I only have to look at the packages I’ve bought from Loblaws over the years to know the answer to that one. It’s like the old $10 haircut — you only have to get one once to realize that you really do get what you pay for. Some people are totally happy with a $10 haircut and more power to them, but it’s something that’s important enough to me that I invest in it. It’s worth it to me.

Pricing photography is a minefield right now. You price yourself too high and the phone doesn’t ring, but you price yourself too low and you get plenty of calls — but find yourself working for peanuts, run ragged and barely able to pay your bills.

Of course, this issue is not limited to photography. We’ve had four contractors come through the house to give estimates the repair the drywall we pulled out of Tristan’s room. Two of the first three were plenty affordable, and they would have happily slapped up some drywall for us. But the one who quoted us the highest (by a considerable amount) price also seemed to really know what he was talking about. He offered insight and advice and opinion. And we’re going with him for exactly that reason, because his prices speak to the quality of his work.

So what do you think? On twitter, the photography crowd was unanimous in their disapproval of this kind of drastic price reduction, and agreed that while there is plenty of room for specials and promos, this cut-to-the-bone approach would ultimately be counterproductive. I’m curious as to what you think!

Edited to add: apparently this is hardly an original thought, right down to the McDonalds analogy: http://thebusinesslens.com/2010/09/15/groupon-photography-sessions-vs-working-mcdonalds/

Project 365: The arrival of a long-anticipated new toy

I‘m still catching up on my 365 pictures. I’ve been taking them every day, it’s just hard to find time to write the weekly wrap posts! This week’s photos include a trip, a party, and a most excellent new toy.

I told you about the trip already, but here’s a recap of the pictures that made the cut as the photo of the day. First, this shot from the window of the plane as we’re ascending out of Ottawa. This is the Ottawa river, just a little bit west of town.

71:365 Over Ottawa

And a few dozen pictures of Lucas as he obstinately refuses to pose for me.

72:365 Lucas's photo shoot

We rushed home from Toronto to make it in time for Tristan’s 9th birthday party the very next day.

Birthday party madness

We’ve been having some wretched late-winter weather lately. Rain, then freeze, then snow, then more rain. In fact, we had so much rain late last week that we had seepage in the basement — ironically, in the opposite corner of the house from the mold issues we had last fall. Luckily, this is not our yard — but it shows the conditions pretty well.

75:365 Icy sunrise

After a successful transition to the big boy bed, Lucas “helped” me disassemble the crib this week. I’ve managed to move it to the garage, but I just can’t bring myself to turf it entirely yet. Knowing me, I’ll probably let it sit there for another year or two before I actually have the heart to get rid of it.

76:365 Unbuilding the crib

Poor Katie. This is an old obedience-school trick we learned, back when she was still a rambunctious pup. She has to wait for permission to eat the cookie, which she does, but never without the pained and long-suffering expression you see here.

77:365 Katie dog

Between the birthday party shot above and this next one of a cut flower in my mom’s kitchen, there’s a lot of yellow going on. It was right around this point that I realized that my old D40 was having the same sort of trouble processing yellows that it was having processing saturated reds a few months ago.

74:365 Yellow flower

In the end, it’s not a bad picture, but I had such a hard time managing the colour that Beloved and I started to seriously discuss replacing the aging but well-loved D40. It’s approaching 35,000 shutter activations and is nearly four years old. I adore the camera, but it’s becoming a little, um, eccentric, especially in challenging situations with a lot of saturated colour, and I think the autofocus is starting to wander.

I’ve been coveting a D90 since I started my first 365 project back in 2009, but it seemed financially imprudent to upgrade when the D40 was satisfying almost all of our photographic needs. The D90 has really dropped in price lately, and I had a little money put aside specifically from blog and photography earnings, so Beloved and I agreed that it was time to consider an upgrade. I started doing the research, and realized that for not very much more money, I could get a D7000 instead. When I read about the incredible low-light performance, and the amazing reviews it was getting (Ken Rockwell calls it the best digital camera he’s ever used, period) I was sold.

It arrived late last week, in the midst of a day so insane with a leaking basement and arriving relatives that I barely had time to pull it out of the box. But when I did, it was love at first sight.

78:365 Hello baby!

It’s the most amazing camera I’ve ever laid my hands on, and I can’t tell you how excited I am. I can see a huge difference already, and I’ve barely scratched the surface of what it’s capable of.

I am very lucky, and very, very happy. Who knew? Some things *are* worth waiting for!

Project 365 – almost a week behind!

With all the craziness of last weekend, I completely forgot to put up my weekly 365 pictures! It doesn’t always matter, but the delay makes some of these seem positively ancient to me.

Speaking of positively ancient, it was my Mom’s birthday at the end of February… sorry, Mom, I couldn’t resist!! πŸ˜‰ This is Granny on her birthday with my boys. (There was supposed to be a long and lovely blog post celebrating my Mom on her birthday, but every attempt I made came somewhere between a Hallmark knock-off and an obituary — I never did get a draft I liked enough to publish. Maybe for her next birthday! I don’t need fancy words to tell you, though, that my Mom is my best friend and the best mother a girl could ever hope to have.)

64:365 Happy Birthday Granny!

Because it was one of those milestone birthdays, I wanted to do something special to celebrate. Mom chose a girls’ night out at the local casino, just her and me. Isn’t she awesome? We had such a fun night with dinner and just enough luck to keep us busy on the slot machines for a couple of hours.

65:365 Girl's nite out!

You’ve already seen this one from an earlier blog post. This is the day before we put Lucas’s big-boy bed in his room.

66:365 Getting ready for the big boy bed (1 of 3)

This is my new brother, Bubba. My parents adopted him a couple of weeks ago from a shelter. He’s exactly what he looks like: big and kinda dumb but absolutely lovable. He’s also been a fantastic influence on Beau, my other dog brother — remember him, the one who was completely asocial and escaped to lead me on a barefoot chase through Barrhaven at 6:30 one June morning last year? Beau has come miles farther into being a normally socialized dog in the couple of weeks since Bubba arrived than he did in a year of love and patience with my folks.

67:365 Bubba

Snow. More on the way. I’m so very done with winter!

68:365 Snow on cedars

I like this one. This is the sun setting through the Eastern pine in our front yard.

69:365 Sunset through the pine

I like this one, too. This is the giant reflecting sphere on the NRC’s Montreal Road campus. I took a picture of it last year and had found a link describing the sphere and its purpose (it’s art) but the link is gone. Still makes a fun subject for shooting, though!

70:365 NRC reflecting ball in winter

That’s how the world looked through my viewfinder this last week!