The Family Photographer: Protecting your images online

This is an issue I’ve been struggling with for a while, so it’s not so much as a “how-to” post as an invitation to discuss the subject.

The keen-eyed among you will have noticed that I’ve started watermarking my photos. (A watermark is, in this case, a small and mostly transparent addition to your image that shows the image is copyrighted, to deter unathorized use.) I’ve toyed with the idea of watermarking my images for years, but was too lazy to do it. Now that I run all my pix through Photoshop before I publish them, and thanks to this great tutorial from one of my 365 friends, I can drop a watermark into each image with three clicks.

You can see it in this photo of the American falls at Niagara Falls (because I don’t have enough Niagara Falls in my blog this week, right?)

American Falls 2

I really don’t want the watermark to interfere with the images, so I tucked it way down in the corner and tried to make it mostly transparent. (The problem with putting it way down in the corner is that it’s not too difficult to crop it out, should someone be so inclined, but the kind of people who steal images are generally the lazy sort anyway, and I suffer no delusions that my images are worth the extra effort to acquire!)

So that’s the ‘what’ of watermarking, and a hint at the ‘how,’ but what of the why?

I talked to Andrea a bit about this when we had lunch the other day, and it was great to finally talk to someone about it after stewing on it for weeks. I’ve been having a crisis of confidence about having so much of my world online and out in public lately. Part of it was the (albeit totally innocuous) recognition of Lucas and Beloved in the library by a nice lady who reads the blog and lives in my neighbourhood, but it was mostly motivated by some weird traffic in my Flickr stats.

You might remember back in the fall of 2007, there was a kerfuffle on the ‘net about people stealing images of kids and making fake profiles on the social networking site Orkut. About a month ago, I noticed that there was traffic from Orkut that pointed to a (completely ordinary) picture of Tristan from an apple-picking trip a couple of years ago. I made the image private, and that stopped the traffic, but there are still a few links from sites that Flickr doesn’t recognize pointing to random photos in my stream and if I can’t reconcile it I’m not comfortable with it.

For a while, I was so twitchy about the issue that I thought the solution might be to simply stop taking pictures of the boys for my 365. That idea made me feel sick, and sad, and a little angry. The whole reason I started Project 365 was to improve my photographic skills, and while it’s nice to be able to take better pictures of carrots and fence posts, what *really* matters to me is better pictures of the people I love. If I were to quit taking pictures of the kids, I might as well quit the 365 entirely.

I toyed for a while with making every image of family members private or for contacts only on Flickr (truth be told, I’m still thinking about it) but that certainly wouldn’t help with the images I post here. And it may be a little bit too late in any case, what with four and a half years worth of images already out there in cyberspace.

In the end, I’ve decided on a middle ground of cautious awareness. I think it’s prudent to be conscious of what you put on the Web but, thanks in part to the chat I had with Andrea, I’m feeling less exposed and freaked out about the whole thing. I’m taking simple steps to minimize any potential risks, like being cognizant of the kind of images I put up — no bare bums, stuff like that. I don’t post their pictures to any group that has “child” or “babies” or anything like that in it. And I monitor the traffic on Flickr much more carefully than I monitor my blog traffic. If anything makes me even remotely uncomfortable, I make the image private — so far, I’ve only done it twice.

Andrea asked me what it was that I would be worried about, what nefarious use of my images I feared, and I don’t know, exactly, what could be done. Frankly, I’d rather not think about it! But, as I’ve often said about living my life online, I’m not going to give undue attention to some ephermal and ill-defined potential risk.

And that comes back to watermarking. I’m going to watermark all my images, so I can protect in some small way the intellectual copyright on the few really stellar images that I’ve created, and to deter any unsavoury use of the images of with people in them.

What do you think of all this? Are you a purist who is annoyed by the ‘ego’ factor in watermarking photos? Do you think it’s futile to even bother? I’ve seen people argue that by simply putting images online, you are de facto giving up your rights to what happens to them — something I, no surprise, completely disagree with. What do you do to protect your images online? I’d love to hear your opinions on this!

Project 365: Water play

My favourite group on Flickr (365 Community) has a rotating optional theme. This week, I happened to have been tagged to choose the theme. With no hidden agenda whatsover in thinking about our trip to Niagara Falls, I chose the theme “water play”. I managed a few variations on the theme this week!

Before we even left for Niagara Falls, we spent a sunny Sunday morning at the local splash pad. Lucas absolutely loved it!

160:365 At the waterpark

You’ve seen some of these already in my Niagara Falls recap post, but what the heck. This is Tristan admiring the view when we first arrived in Niagara Falls.

162:365 At Niagara Falls

And this is my ultimate Canada Day shot, from the Maid of the Mist. (From a technical perspective, Beloved pointed out that the bit of deck rail in the lower left, the bit of darkness in the upper left and the dark side of the gorge on the right form a nice compositional triangle around the central subjects in the image. Oh, the things you learn from an artist!)

163:365 Happy Canada Day!

The other theme of the week was road-tripping. I like how crisp Lucas is in comparison to the motion blur outside the window behind him. (Not to mention the inherent cute factor of him playing with his dollar-store drawing thingee. He loves those things!)

161:365 Road Trip!

This one was on the trip home. I had my 50mm fixed lens on, and had to lean way forward in my seat to properly frame Tristan in this one. (He’s drawing a Pokémon card, and his hair is still wet from the water park at Great Wolf Lodge.)

163:365 The trip home: Tristan

Seems like I took these last pictures about a hundred years ago! This was taken on my last day before vacation. It’s the US Embassy in Ottawa, and I was trying to contrast the bright mirrored modernity of it with the beauty of the old “tax castle” beside it. I used B&W for this one to try to convey the starkness and unwelcomingness of this building and I liked how the lines on the Embassy pointed to the tax castle, too. It’s an okay image, but I’m still not sure I’m fond of it — it wouldn’t turn out like I was picturing it no matter what I did to it!

158:365 The US embassy in Canada

Finally, when all else fails, you can find a pretty flower to photograph. I planted this clematis three or four years ago and it promptly withered and died. To my surprise, it came up this summer absolutely covered in buds — I actually thought it was a weed at first. He’s the Little Clematis That Could!

159:365 Clematis

Edited to add: I almost forgot! This week was the end of the month, so I’ve got my monthy mosaic done for June. There were some colourful shots this month!!

June mosaic!

Five things I learned in Niagara Falls

We’re freshly back from three days in Niagara Falls. It was a terrific trip for many reasons, including spending time with our extended family and excellent behaviour on the part of all five kids in attendance. Here, in no particular order, are five things I learned in Niagara Falls. (The “five things” bit is a new idea I had. I think it’s a neat new theme with a lot of potential!)

161b:365 Road trip reflection

1. My boys are excellent travelers! Tristan and Simon have long since proved their roadworthiness, but even Lucas – who fusses on the drive to the grocery store – was an angel in the car. On the way home, we drove straight through from Niagara Falls to Ottawa with only one stop (in Belleville, where we stretched and dined at the Quinte Mall.)

161:365 Road Trip!


3. Don’t let the weather forecast get you down.
They were calling for grey skies and rain (and egads, even snow!) in the week leading up to our trip, but the weather was damn near perfect. Cloudy with plenty of sunny breaks, mild enough for shorts but cool enough for walking. It was perfect weather for gazing at the Falls!

162:365 At Niagara Falls

(Or, perfect weather for gazing at each other!)

"Hey Dad, I can't see a thing!"

This is just a gratuitous shot of the Falls because I like it so much!

Niagara Falls


3. You can take 600 pictures of your boys and still not manage to get them to smile nicely once.
Sigh.

More Niagara Falls
.

Simon rocks out

4. The time for the “Thou Shall Not Leave My Line Of Sight” lecture is *before* you arrive at the crazy indoor waterpark, not after. Within the first half hour we arrived, I’d had to scoop up Lucas and run into the deep part of the wave pool to rescue a floundering Simon (the lifeguards hadn’t even noticed him, even though he was crying and flailing) and spend more than half an hour climbing up and down stairs searching the water park for Tristan and Simon, who’d wandered off behind their uncle. The place is so noisy that I’d spot them but couldn’t make them hear me hollering (despite my shrillest voice, which is pretty damn shrill) and they’d’ve moved on by the time I made my way down to where they were.

(This is not an image of my kids drowning or disobeying me, but one of the few times I brought my camera into the water park at Great Wolf Lodge.)

(Edited to add: Found this picture on my back-up memory card, and thought it was cute enough to share! It’s the still photo companion to the video above!)

Fountain fun at Great Wolf Lodge

5. A ride on the Maid of the Mist is an excellent way to spend Canada Day! (I was determined to bring my Nikon with me, but was deeply worried about water damage. In the end, I cut a hole in one corner of a large ziploc freezer bag and trimmed it to the exact size of my lens, then taped the edges to my polarizing filter. Ghetto solution, but it worked!!)

This is the Maid of the Mist from above, approaching the Horseshoe Falls:

Horseshoe Falls at Niagara

And this is the view of the American Falls from the Maid of the Mist:

American Falls

My favourite Canada Day shot:

163:365 Happy Canada Day!

(There may or may not be another post about our trip in the near future. I’m struggling with the “and then we did this, and then we did that” travelogue narrative — it seems a little like torturing you with the verbal equivalent of vacation slides! But if you like the pictures, there’s more on Flickr!)

Project 365: summer beauty

I think I might have taken nearly a thousand pictures this week. There have been days during my 365 project that I didn’t even feel like picking up the camera — this week did not contain any of those days! Everywhere I turned there was beautiful warm light, cute kids and interesting photo opportunities. Every week should be this easy!

For instance, last Friday we had our annual staff picnic, but instead of the traditional picnic we went on a boat cruise on the Ottawa River. I *could* post the pictures I took of my colleagues doing a mid-afternoon conga line (!) but instead, I’ll share this relatively unique perspective of the Chateau Laurier and the Rideau Canal locks (the bit that looks like giant concrete steps) where they dump into the Ottawa River. Doesn’t it look like something out of a fairy tale?

151b:365 Chateau Laurier and locks

The Chateau Laurier pictures was actually my alternate shot of the day. This dock lead down to the Gatineau River, near where the cruise was docked, and I liked the contrasting purple and yellow (complimentary colours really make a photo pop) and the shapes in the shadows.

151:365 Crazy coloured dock

Does anything say summertime better than after-dinner popsicles on the porch swing? (Yep, we collected an extra for this picture. She matches my set nicely, don’t you think? Sadly, her folks won’t let me keep her. I think that if I could guarantee she’d turn out just like this, I could easily convince Beloved to have a fourth child!)

152:365 Summertime on the swing

I spent more than half an hour on Sunday morning, watching the gorgeous warm light bathe Lucas as he played contentedly with these Bob the Builder toys. I took at least 60 shots, trying to capture the quiet peacefulness of the moment, and ended up having a hard time choosing just a couple of favourites.

I liked this one because of the way Lucas’s profile is in shadow but bright yellow Scoop is fully lit, and the way you can see Lucas’s profile so cleanly against the wall behind him.

153c:365 Scoop and Lucas

I liked these two because the little hands could have belonged to any of my three boys. I love to see those chubby fingers at play!

153a:365 Scoop and Bob

In the end, I liked this one the best, I think because you can see the whole of Scoop and because I moved a bit to eliminate the distraction of the door frame that’s in the picture above.

153:365 Scoop and Wendy

For the next image, it’s the story as much as the photo that makes it the picture of the day for me.

It was hot and sunny, just the kind of day I like best, but I was overheated and cranky and really not feeling well as I finished a long 10 or 15 block loop on my lunch hour. I’d snapped a few pictures, but nothing was really capturing my eye and I wasn’t even enjoying the walk much. I went to turn down a street that would lead directly back to my office, one I’d trod a hundred times before, when I realized if I stayed on straight I’d walk down a block I’d never been down before.

Shortcut or new ground? I debated for a minute, thinking it unlikely I’d see anything worth photographing on such an uninteresting stretch, then decided to walk the new stretch anyway.

Half way down, I came across this young lady sitting at a table selling lemonade and busking with her ukulele, raising funds for a trip to Scotland. I was completely and utterly charmed by the combination lemonade stand-ukulele show. The picture is not terrific — the money jar blocks the head of the uke — but I was a little distracted by chatting with her as I composed the shot. She was so sweet and the idea so charming that I couldn’t *not* have this as my picture of the day! (I passed on the lemonade, but I did give her a few bucks toward her trip.) It’s also #3 in my 100strangers.com project.

154:365 Scotland or bust

On Tuesday, I had a lunch date with the inimitable Andrea, and rather than sit on a patio to enjoy the sunshine and a cold beverage, we ate a quick Budawich on a park bench and wandered the Market with our cameras on a little photo safari. It was so nice to have some company on one of my lunch-time wanders! I didn’t get many pictures in, but great conversation with a good friend is a balm for the soul, isn’t it? I did find these fuscia blooms dangling out of a basket to be particularly photographable, though.

155:365 Mystery flower

I’ve learned that flowers are an excellent choice for an easy photo. They stand still, they’re bright and colourful, and I just can’t resist them! I particularly liked these daisies. I have a soft spot for daisies – I wore them in my hair when Beloved and I got married, and they featured predominately in the wildflower bouquet that I carried and the centrepieces on the picnic tables at our reception.

157b:365 Daisies

The problem with never relinquishing the camera is that you end up with photographs of everybody and everything *except* you. When I started my 365 project, one of my self-imposed rules was a self-portrait every month. I don’t think I’ve managed more than a few so far, but yesterday I caught sight of myself in this reflective window in the Market and thought the bright busyness behind me would make a neat selfie.

157:365 Reflective

These are my favourite photos of the week. We had an old fashioned ice cream truck rumbling around the neighbourhood this week, complete with tinkling music and soft-serve ice cream cones. I haven’t seen one of these since I was a kid in the 1970s. (I remember the one that used to come through our neighbourhood would moo like a cow, and our dog would tremble and hide under the furniture every time it went by!)

I love this picture because of Beloved’s smile (and the way that Lucas looks like he’s going to eat the cone in one giant bite!) but I’m not overly fond of the highlights on Lucas’s face. The contrast is too strong, I think.

156b:365 More ice cream

I love this one the best. I coloured it with a light sepia because I think it’s such a classic photo. (My favourite bit is how Lucas is holding onto Beloved’s fingers!)

156:365 Ice cream

I do love them so – and I think this photo captures that. I think of the many ways that Project 365 has inspired me and improved my mad photographic skillz, this is the one I most appreciate: that I can capture not just an image, but the mood or moment in its entirety that caused me to pick up the camera in the first place. Well, at least some of the time!

40 until 40

In forty days, I’ll be forty years old. Eep! How did that happen?

You know why I know it’s forty days? Because yeseterday, when Beloved and I went out to buy my combination 40th-birthday / 10th-wedding-anniversary present, I was feeling a little guilty that it was neither our 10th wedding anniversary (July 3) nor my 40th birthday (August 1). But when I realized that it was 40 days until my 40th birthday, I was okay with the synchronicity in that. Twist my rubber arm.

The real reason we bought it yesterday was because it was on sale and I’m just a little bit more cheap thrifty than I am romantic. Ironic, really, because while I desperately wanted it, the last day I’d really need it is on the solstice, the longest, lightest day of the year.

It, if you haven’t figured it out yet, is a fancy-ass flash for my Nikon. Am I spoiled or what? I’ve wanted one in an oblique way for a couple of years, but now that I’m getting more creative and competent in my picture taking, I’ve been thinking for a few months that it would make a really kick-ass 40th birthday present. It’s a bit of an indulgent gift (much as I wish it were otherwise, we’re not $300-birthday-gift kind of people!) but my folks kicked in a bit, and 40th birthdays and 10th wedding anniversaries don’t come around every year, right?

But holy crap, off-camera flashes are a LOT more complicated than they were back in the days I was shooting film on my dad’s old AE1. (Or maybe I was just blissfully oblivious and always had my flash on the wrong setting? Good probability!) It’s much like my dSLR in that you can just pop it on the camera in auto mode and get flashing, but there are degrees of creative control that fill a 100-page manual filled with text that frankly makes my eyes glaze over!

It’s not exactly a featherweight, either. It probably doubles the bulk, if not the actual weight, of the camera. Good for planned semi-studio shots, not so good for toting around with you to the grocery store and the mailbox and all the other odd places to which I bring my camera. Good thing the long, delicious light of summer will be with us for a while!

I’ve become so anti-flash in the last little while that I got curious. When was the last time I used my on-camera flash anyway? Looks like this one, taken March 29, was the most recent one!

69:365 Slinky

And the idea that I’ll be 40 years old in 40 days? Wasn’t bothering me much at all until I kept typing it into this blog post! Why does 40 seem so much older when it’s pixelated in front of my eyes than it does when I try to stretch it out in my brain. How can I be 40 when I’m still 23?

Forty: the decade when she learned to flash. Yep, I think I’m good with that!

Project 365: 150 days down, 215 to go

Holy crap, I’ve been doing this picture-a-day thing every. single. day for 150 days and I haven’t missed one yet. Who’d’ve guessed it?

The nice thing about Project 365 in the summer time is that just about anywhere you point your camera there are lovely colours and light just begging to be photographed. Like these pansies:

148:365 Pansies

Even on a rainy day, peonies are pretty:

150:365 Wet peony

I’m particularly pleased with the peony because it was the big fat raindrops that caught my attention in the first place, but they didn’t come through in the image straight out of the camera. But I’ve learned enough about Photoshop in the past few months to know that if I sharpened the heck out of it, those raindrops would pop out, just like they did to the naked eye.

This is how the next one came to be:

Tristan: "Hey Mom! Wanna see me jump off the top of the monkey bars?"

Me, visions of the waiting room at the children’s hospital in my head: "No!"

Tristan: "Why not?"

Me: "Because it’s dangerous and I don’t want you to hurt yourself."

Tristan: "Awwwwwww!"

Me, remembering that there is a June is for Jumping group on Flickr and that I still don’t have a picture for today, "Actually, you know what? Just let me go get my camera…."

149:365 Jump!

(Speaking of mad photoshopping skillz, I accidentally left the ISO way too high and overexposed the shot, but I loved the expression on Tristan’s face so much that I wanted to find a way to make the image work so I processed the heck out of it. I used one of the Pioneer Woman’s actions – I think it was ‘vintage’ – but it was too harsh, so I dialed the opacity down to 50%, and I really like how it came out.)

And this one? Well, what can I say, I just love those toes!

145:365 Grassy feet

This is from the same afternoon. It’s not an official 365 shot, but it’s a moment worth admiring, no? I love it when I sneak up and find them being adorable.

145c:365 Brothers on the swing

Speaking of adorable… I like this picture for the look of intense concentration on Simon’s face, and because of the story behind what he’s doing. Simon is one of only two boys invited to a Princess party this weekend, and he’s been asked to dress as Prince Charming. (I know. Couldn’t you just die of the sweetness?) The closest we could come was a tiara and a Darth Vader cape (don’t ask me why in a house with three boys we had a tiara) and Beloved put his foot down and said no son of his was going to a party wearing a tiara. (Sheesh!) So yesterday, Beloved came home with a crown-making-kit. Simon enjoyed making his own so much that he decided to make and decorate a crown for the birthday girl as well. So sweet! Five is a lovely age.

150b:365 Prince Simon

Project 365 is about memorializing a year in pictures in addition to improving my photographic eye (and mad photoshopping skillz!) and this picture simply captures the official first day of summer: the first day it was nice enough to swim in our friends’ pool. (Friends with pool = favourite friends!) It’s called Lukey’s Boat!

146:365 Lukey's Boat

Darn, I was doing so well with the segues, but I got nothing for this one. They’ve started this cool new service in Ottawa where you can rent a bike from one of four downtown locations and return your rental to any of the other stations. How awesome is that? I haven’t tried it out yet, simply because it’s either been pouring rain or I’ve forgotten to bring my helmet, but there’s a station right by my office. From a technical perspective, I like this photo because of the repeating pattern, because of the way the top and side borders have almost exactly the same amount of space, because of the way it fills the frame, and because the bit of repeating red really seems to pop against the otherwise neutral colours.

144:365 Bixi bikes

Last but not least, and also without a workable segue, this is my favourite picture of the week. I like the textures, the chipped paint and the worn wood, and how they contrast against the softness of the fingers. I think the strong diagonal lines draw your eyes right through the frame, but the little fingers stop you dead. (Edited to add: oh, and I just realized that this picture made it into Flickr’s fickle “Explore”, too. Yay!)

147:365 Fingers

It’s actually the bar of an emergency exit door in a restaurant, where Lukey was wandering out his twitchies while Beloved and the big boys waited for the bill. Lesson? Always, always have your camera handy!

The Family Photographer: Composition 1

I have to laugh when I look at the pictures I used to take when I was younger: as soon as whatever subject I was trying to capture was in the frame – anywhere in the frame! – I’d push the shutter button. Don’t get me wrong, it works — but if you take a few seconds to really think about what you want your final picture to look like, you’ll go from ‘taking’ pictures to ‘making’ pictures.

Each picture needs to have a focal point. The focal point is the subject, the centre of interest. What is your photo trying to say? You might even have a couple of focal points, but you should choose one main one and make sure that nothing else in the frame is more interesting, more noticable or otherwise taking attention away from that one point of focus.

The very hardest thing for me to do — still! — is the most important: slow down and really look at the picture you’re about to take. Kids are squiggley and wildlife doesn’t sit pretty for the camera and even landscapes change with variable lighting and tourists wandering into your frame and whatnot, it’s true, but if you take a few seconds to really look at the picture you’re about to take, I guarantee you’ll take better pictures.

Look into all four corners and along the edges of the frame. Is everybody in the frame who is supposed to be in the frame? Are there any tree branches sticking out of the sides of anybody’s head? If you moved a little bit to the left or the right, would you do a better job of including the Statue of Liberty in the background, or be able to exclude that ugly sign advertising pizza by the slice?

Try to see the whole picture, including the background and foreground. Include only the elements that add to your picture and – perhaps more importantly – do what you can to reduce or eliminate the things that might take attention away from your subject. (Do this by squatting down or moving from one side to another, by zooming in or out, or by getting closer to or further away from your subject. Turn your camera sideways, and see if that’s a better shot. Or, if you have a fancy camera, play with the depth of field to throw the background out of focus.)

DSC_0422
This picture favours neither me nor the elephant, but might have been
a more interesting composition if it showed less sky and the entire elephant.

Now you’ve taken a good look to make sure you’ve got an interesting viewpoint with all the good stuff in your frame and none of the bad stuff, and you’ve got your subject perfectly framed in the centre of your viewfinder. Ready? Don’t press that shutter!

For the most part, you should avoid placing your subject in the dead centre of your photo. I have a hard time with this one myself. There’s an old ‘rule’ called the rule of thirds, which basically says that you should try to place your centre of interest at the 1/3 or 2/3 point of your frame, either horizontally or vertically, to make the image more interesting.

Imagine lines dividing your frame into equal thirds, both horizontally and vertically, like a tic-tac-toe board superimposed on your photo. Putting your subject anywhere on those imaginary lines is good, but even better is the spots where those imaginary lines intersect. They call those four points the sweet spots, and placing your centre of interest over one of the sweet spots gives a picture just a little extra je ne sais quoi.

141b:365 The egg thief
Lucas’s eye is just about where the top and left third lines would intersect.

I’m resisting the urge to throw everything I’ve learned about composition into one post, but it’s difficult to leave so much unsaid! We still need to talk about foregrounds and backgrounds, and using frames, and static versus dynamic, and using lines that you can see instead of imaginary ones… lots of topics to cover in the upcoming weeks, I guess!

Project 365: all about colour and shapes

I’ve been swallowing photography books whole lately. Conveniently, Beloved will be teaching digital photography and already teaches Photoshop at a local college, so we have a steady stream of current textbook samples coming into the house. One of the first really great books I read was by Photoshop guru Scott Kelby. His Digital Book of Photography and Digital Book of Photography 2 are great books filled with simple instructions on how to get your camera to do what you want it to do, and gives explicit directions on how to get the shot you want in a range of photographic situations: portraits, landscape photography, sports shots, weddings, etc. Full of explicit “set your camera like this, ensure you do A, B and C, and click” type of advice.

Once I’d read every other book on digital photography techniques I could get from Beloved or the library, I moved on to some of Bryan F. Peterson’s books. I was a little surprised at how, um, outdated they were — OMG, soooo 1998 — but you know what? The techniques of photography that I’m now most concerned about are rather timeless, and it doesn’t matter if you’re shooting film or pixels. In particular, his People in Focus was great for thinking about the psychology of taking portraits, both of people you know and people you don’t. I’m still waiting for my turn in the library queue for his highly recommended Learning to See Creatively: Design, Color & Composition in Photography. I’ve also discovered and highly recommend the books of John Hedgecoe. His photography is a little, um, odd sometimes, but I’ve learned a lot about shape and texture and space from his books.

By chance, I stumbled upon a recommendation for Freeman Patterson’s books, and now I have a new photographic idol. And he’s Canadian! I’m about half way through his Photography and the Art of Seeing — an ancient mid-1970s edition from the library. It’s the first photography book I’ve read that doesn’t contain a single reference to the aperture and shutter speed used to achieve each image — instead, it’s like a workshop on how see led by your philosophical and tragically verbose favourite uncle. In googling it just now, I stumbled across his website, and am *so* ordering my own updated copy personalized and signed by the author.

As I’m reading Patterson’s book, I find myself wandering around and seeing the shapes of things — it’s very distracting! Did you know there are primary shapes just like there are primary colours? Circles, squares and triangles. And — finally, to the point — you can see the influence of my new infatuation with the shapes of things in this week’s pictures.

These eggs, for instance. See how the oval shape of the egg is repeated in each egg and in the bowl? I really liked the tones in this picture too. (Another lesson this week: if you’re shooting something with a lot of white, your camera’s light meter will be tricked into trying to underexpose the image. You have to use your exposure compensation to overexpose a bit over what the camera is trying to record.)

141:365 Eggs

And these canisters, found inside Watson’s Mill in Manotick, where Lucas and I took refuge from the pouring rain when I was looking for something, anything to shoot one day while coming back from an extended nap drive. See how the circle pattern is repeated in each canister, in the way they’re grouped and in the cutting board they’re standing on?

139:365 Canisters

The repetition of the shoes, and of the colours in them, and in the deck rails underneath is a little more subtle in this shot. I loved how the early-morning light fell on the shoes, left up to dry after a day of messy fun with the new sand and water table. This picture makes me very happy for some reason — it captures something about the bliss of my family life in this tiny point in time.

138:365 Shoes

Speaking of the sand and water table, here’s the shot from the day before. (I know you’ve seen it already, but isn’t it precious enough to show off twice?) They played together for hours with that thing. Who knew?

137:365 Sand and water table

This fellow was busking in the Market when I was out wandering on my lunch hour one day this week. I was fascinated by the intricate design on his accordion and by his jaunty little hat, and even the pattern on his shirt. I dropped a loonie into his case to say thanks for letting me snap a few portrait shots of him, but wasn’t brave enough to actually say anything. He did favour me with a nice smile, though!

140:365 Polka man

These pretty flowers aren’t flowers at all, they’re weeds growing against a fence in a parking lot! See how the flowers are circular, and the four of them together make a semi-circle, and the bits of swirly stems in the blurred background echo that curve? That’s what I was going for, anyway!

142b:365 Yellow flowers swimming in bokeh

Some things just cry out to be photographed. I was driving down Gladstone near Booth when I did a double-take while passing this house. Is this not the yellowest house you have ever seen? Luckily, I had enough time to double back and stop to take a couple of snaps of this outrageously yellow house. I have no idea why someone would do this, but I kind of like it! (We once painted our tiny Glebe attic apartment’s living room with this exact shade of yellow. We called it “homicidal yellow.”) The sign on the wall says the building is slated to be torn down, and an application has been received to build seven (!) townhouses in its place. Sigh.

142:365 The yellowest house

From homicidal yellow to righteous red — I’m on a primary colour streak! (apparently, I’m going to have to find something in deepest blue to photograph today!) This is what fresh, local strawberries are supposed to look like, not those anemic things they truck in from California.

143:365 Madly red berries

And, as I said above, some things just beg to be photographed. I had a chest x-ray done yesterday for the double-pneumonia that will not quit. How often do you get to take a photograph (of the photograph) of your own lungs?

143b:365 Yes, as a matter of fact, those are my lungs

And finally, an out-take from earlier in the week. I was trying to take the egg picture above, and was trying the eggs in various combinations of bowls, when Lucas crawled up onto the table to see what was so interesting. Lookit those fat crocodile tears running down his cheeks, just after I’d scolded him with a firm, “No!” I call this one “The egg thief.”

141b:365 The egg thief

And that’s why doing a 365 project is especially challenging for a busy mother of three: you try to take a picture of eggs, and end up with a picture of eggs being taken!

The Family Photographer: Controlling the light

Okay, so you’re trying to take a picture of your brand new puppy: a tumbling, squiggling ball of golden fur. It’s late afternoon and the light is low. What can you do?

My first recommendation? Don’t use a flash, and especially don’t use the in-camera flash that pops up in automatic mode. I’ve learned over the past year that the in-camera flash gives a cold, unflattering flat colour to your subject, and casts harsh shadows.

DSC_0513
See the red-eye, the harsh shadow, and the flat grey tone of Tristan’s skin? Flash = evil!

Okay, so no flash. What to do, then? First, move your puppy near a window. Not in the direct sunlight, but within six feet or so of a nice, bright window. The diffuse light will make some lovely and gentle contrasts but no harsh shadows.

You’ve got some nice warm light, and the puppy is chewing adorably on one of your old shoes. You take the picture — and when you look at the LCD display, all you see is a blur of yellow fur. Because you didn’t use the flash and the light is low, the shutter speed wasn’t fast enough to “freeze” the motion of the energetic puppy.

What can you do? Well, you could turn on some more lights in the room, but that might ruin the nice tones and shadows you’re getting from the window light. There are three things you can do to control the amount of light getting into your camera and improve your picture:

(1) Open up the aperture.
(2) Slow down the shutter speed.
(3) Boost the ISO.

The first thing you should try is opening up your aperture to a nice fat f-stop like f/2.8 or f/3.5. You want a little f-stop number, which means a big opening, so lots of light will get in. That also means, though, that you’ll have a really shallow depth of field, which is how much of the image is in focus. You can use that creatively, so when you focus on your puppy, you can throw your ugly couch in the background out of focus and avoid the distraction of the pile of newspapers on the coffee table behind him.

If you were taking a picture of something that wasn’t moving, like your sleeping puppy, another option would be to slow down the shutter speed. The shutter speed also controls how much light gets in, but the longer the shutter is open, the more likely movement will lead to a blurry subject. If you are using a shutter speed any lower than 1/60 of a second, you should probably be using a tripod, or bracing your camera on a solid surface.

DSC_1006
Sometimes, you can use a slower shutter speed creatively to emphasize movement.

So you’ve maxed out the aperture, and you can’t use a shutter speed any less than 1/250 of a second or so because the puppy is a wiggling mass of energy, but the images are still not crisp enough. What can you do? Try boosting your ISO.

In a film camera, ISO (or ASA) refers to how sensitive the film is to light. In Digital Photography ISO measures the sensitivity of the image sensor. A lower ISO gives you pictures that are more crisp, but a higher ISO lets in more light so you can shoot a at a faster shutter speed, thus letting in more light, thus reducing motion blur. I leave my Nikon D40 at the lowest ISO setting (200) and only adjust it if I need more light. The only problem with higher ISOs is that at really high settings (depends on your camera, but usually at 1200 or more) you start to get “noise” which is a grainy quality to your images that’s especially noticable with printed enlargements.

So there’s three easy ways to control the light so you can take stunning photos of your adorable new puppy. And, completely unrelated to light, here’s three more tips to improve your puppy pictures:

  1. Get down low. Shoot at puppy’s eye level, or even lower if you can.
  2. Get in close and fill the frame.
  3. Focus on the puppy’s eyes. If you get the eyes in focus, the portrait will work. If you miss focusing on the eyes, something just seems “off” about a portrait.

So what do you think? Is this stuff helpful or boring? Anything else you’d like to talk about? I’m weirdly intimidated by these posts all of a sudden, maybe because I’m in an insecure place in my own picture-taking right now. And by all means, please do share your ideas and thoughts for controlling the light!

Project 365: experimenting

We tend to leave our laptop open on top of our TV console in the evenings, and half the time I’m as drawn to the slide show of the “pictures” file as I am to whatever drivel is on TV. (Tangent: June TV? Painful suckage.)

The one really nice thing I can say about the Windows Vista operating system is that it makes a really lovely set of random slide shows. It doesn’t just display the pictures, but wraps them up in fancy transitions, adds backgrounds and frames, varies how the images are displayed, and even displays them occasionally in black and white. Looking at some of my favourite images in black and white, together with a couple of books I’ve read on getting more out of black and white digital photography, encouraged me to try some monochromatic images this week. It was supposed to be a week-long theme, in fact, but my attention span is simply not that long.

Last Friday was rainy and dreary (again) and I went out into the drizzle at lunch time trying to see how the rain changed the “look” of things I look at every day. I ended up wandering down to the Notre Dame Cathedral and took a couple of pictures inside that I didn’t end up liking very much. But when I came out of the cathedral and noticed how the Parliament Buildings lined up under Maman’s legs, I knew it would make a neat composition. Unfortunately, despite my best stink-eye I couldn’t get the gaggle of school-group tourists to move out of my frame, so I had to cut Maman off at the knees. (Maman is one of my favourite Ottawa attractions, a 30 foot tall bronze spider who lives in the courtyard of the National Gallery.)

129:365 Maman the spider

I liked this picture of Tristan blowing bubbles (I never would have guessed that my ‘big boys’ at five and seven would still love bubbles as much as they do!) but I didn’t like the big planter in the corner of the image. When I ran one of the Pioneer Woman actions that turned the photo into sepia tones, though, it really seemed to minimize the mostly brown planter into the brown fence behind it, while giving the image a nice classic and timeless look that I thought complimented the subject.

130:365 Tristan's bubbles

I blogged about this image the other day, but I love it so much I thought I’d include it again. This is the fourth of my images that have made it into Flickr’s Explore.

131:365 Baby toes

On the days I drive downtown, I drive right past this dairy farm. I’ve actually taken dozens of pictures of it — I’m fascinated by it. I love the fact that we get to drive past cows and horses whenever we go from the city to our house! I’d love to live on a farm some day, if it weren’t so much work!

132:365 Morning at the farm

There are lots of ways to play with an ordinary photo to make it more interesting. I’m learning to embrace them! False tilt-shifting is a way of processing the image so it looks like a miniature or toy-model version. It didn’t quite work out on this image of the Alexandria Bridge and the Museum of Civilization as well as I’d seen on some other images, but it still perks up a rather ordinary photo. To get the effect, I just ran the photo through on this website. To get the full effect, click through and view it large and up-close!

133:365 Tilt-shifted Alexandria Bridge

And when one picture of pretty flowers is just okay, a mosaic of them is somehow more than the sum of the parts. These are all from my garden, and some of them may be weeds, but at least they’re pretty weeds. The one in the top left corner is a bleeding heart, and the white ones are on a shrubbery near my front door. The others are just purty.

134:365 Garden tour

Last but far from least: Lukey in black and white. If you’re looking for some really great light for baby portraits, consider shooting in the car seat! Your subject is immobilized, the light is bright but diffuse, and you have baby’s undivided attention. In this case, you can plainly see Baby is far from impressed in having my 50mm lens half a foot from his nose. Again. But the b&w really favours that creamy smoothness of his skin — don’t you just want to touch it? And I should have stopped down my aperture just a bit because my plane of focus was so small (I’d been shooting flowers up close) that while his left eye is perfectly in focus, his right eye is blurry. A smaller aperture would have given me a larger area in focus. Oh well!

137:365 Lukey in b&w

And if you look closely, you can even see me reflected in his eyes!