This week in pictures: Winter and other diversions

After a notable absence, winter has arrived with a vengeance in Ottawa recently. I can’t wait to get out and start taking pictures of the great snow dump we got yesterday — but I might wait until the temperatures warm up a bit beyond the current minus 30 with the wind chill. Brrrr!

But heck, winter lasts a long time here in the world’s snowiest capital city, so you kind of have to suck it up and get outside and enjoy it. Like this!

Sliding

And then you have to stand by patiently and look cute while your mom takes your picture. Again.

Simon

Tristan

Or maybe you ham it up a bit and hope she’ll go away and let you get back to playing in the snow.

Lucas laughing

And then you can go back to this.

Winter sliding x3

Speaking of getting out in the winter, can you believe I’ve never walked the full loop from the Interprovincial Bridge to the Portage Bridge and back? It’s a gorgeous five kilometre loop and takes just a little bit less than an hour to walk, even if you stop every now and then to take a picture or five. I’ve vowed to try to do it once a week, weather be damned, until my jeans are feeling a little less snug.

(I’ve also discovered the Pano app for my iPhone. How have I missed this before now? This one was taken on the Portage Bridge, facing Parliament Hill.)

Ottawa River panorama

More Peace Tower shots. I can’t help myself!

Peace Tower in the snow

From icy and blue to warm and soft — you might remember this shot from earlier in the week. Tristan spontaneously asked if he could read Lucas a bedtime story, and then proceeded to read to him for half an hour. This one is a keeper.

Big brother reading

Heh. The boys pointed out that not only do my multicoloured toes match my jammies, but they both match my coffee cup.

Lazy Sunday

Photo tip: to catch the cat staring directly into your lens, compose your photo and then scritch your fingernail against the side of your lens. Snap! (There’s nothing I can suggest to erase the vague look of disdain, though!)

Willie in B&W

(If you read an earlier version of this post, there was some misinformation from a hacked account in here. Carry on, folks, nothing to see here.)

“It takes courage to grow up and become who you really are.” e.e. cummings

I’ll let ee cummings have the last word on this one. 🙂

This week in pictures: after the holidays

I‘m still on the fence as to whether this is another 365 project, but I did take a picture (or five) each day this week. How can I stop taking pictures when there’s cuteness like this is my life?

Simon in the snow

Isn’t he so lovely? Oh my, but that boy will break hearts some day.

This last week was mostly about family, even though I did have to eventually drag my sorry self in to work at the very end of the week. I love the expressions on their faces in this one, ranging from indulgence to barely repressed impatience to impish mischieviousness. They’re so patient with me, my menfolk are.

Happy 2012!

I pulled over on the way home from work when I saw this murder of crows infesting a big tree off Limebank Road. I converted it to B&W, but it was such a flat grey day that it was almost there already.

A murder of crows

The idea for this one arrived fully formed in my head one night and I’m pleased that it’s almost exactly as I’d envisioned it. (I can never seem to remember to wear makeup, and I don’t bother to shave half the time in winter, but I do have a soft spot for a multi-coloured pedicure.)(But, I should focus on either the polish or the camera, because while the picture is fun the pedicure is a mess with polish all over the place!)

Girly

This one started out as a completely different picture, which failed miserably in the execution, but did inspire me to put this together. I like it very much! The camera is a Polariod EE100, built in the late 1970s and rescued for $5 from a junk shop by me. 🙂 The the scratchy look comes from a texture I found on Flickr. Apparently it (the camera, not the texture) will take Fuji pack instant film — I may have to try it out one day!

Polaroid EE100

Early in the week we had a visit from the boys’ grandparents, Mimi and Pipi. I was taking out the garbage when I noticed Beloved’s dad out there in the snow without gloves, building a snowman to entertain the kids. Have I mentioned how much I love my family?

Grandpas are awesome 2 of 2

Grandpas are awesome (1 of 2)

Grandparents cause the most delightful sorts of disruptions, don’t they?

Social sharing of photos – are you giving away your rights for free?

I have been posting my pictures on the Internet forever, going back to the first website I built back in 2000 or so, and I’ve always known there were inherent risks. I’d always figured, though, that the biggest risk would be that someone takes one of my pictures and misappropriates it.

However, as I’ve become more serious about photography, I’ve realized that there are a lot of ways you can unwittingly give someone (or more nefariously, a big corporation) the right to use your pictures in any way they choose, commercial or not. Did you know, for example, that each time you use Instagram or Hipstamatic or TwitPic, you have granted “a non-exclusive, fully paid and royalty-free, worldwide, limited license to use, modify, delete from, add to, publicly perform, publicly display, reproduce and translate such Content”? (Taken verbatim from the Instagram terrms of service you agreed to when you signed up for the service, but the others are pretty similar.) They need a certain amount of rights to display and back up your pictures, but these terms seem to go above and beyond what would be requried for that.

So what does this mean? Well, most importantly it means that they can use your picture or any part of it in pretty much any way they like — advertising, derivative works, etc. It also means that if you happen to go pro and start licensing your images through a stock agency like Getty Images, you’ve limited the kind of licensing model that can be assigned to that photo. The photo loses some of its attractiveness to certain buyers who might want (and pay big bucks for) an exclusive license. And this isn’t just limited to fine art photography — you might be at the right place at the right time and capture an editorial photograph that a newspaper, magazine or television station might pay to use, but once you sign away your rights, you instantly lose control of a significant part of your negotiating power.

For more information on social sharing of pictures, copyright and licensing models, see Jon Boyes great blog post on the subject. There’s also been a huge amount of discussion on Facebook and photo rights, and more recently on Google +. It’s a minefield for sure!

And if you’re an amateur shutterbug looking for more, ahem, exposure for your pictures, you might want to think twice before submitting your pictures to any photo contests. Read the fine print and you’ll find that a lot of contests are simply what photographers call “rights grabs” – watch out for wording in the rules and regulations that says you grant the contest organizers any kind of royalty-free license if you have even the faintest aspiration of licensing that photo at any point in the future. For example, the rules and regulations of National Geographic’s 2011 photo contest has this clause at the bottom of a long page of jargon:

By entering the Contest, all entrants grant an irrevocable, perpetual, worldwide non-exclusive license to Authorized Parties, to reproduce, distribute, display and create derivative works of the entries (along with a name credit) in connection with the Contest and promotion of the Contest, in any media now or hereafter known, including, but not limited to: Display at a potential exhibition of winners; publication of a book featuring select entries in the Contest; publication in National Geographic magazine or online highlighting entries or winners of the Contest. Entrants consent to the Sponsor doing or omitting to do any act that would otherwise infringe the entrant’s “moral rights” in their entries.

Even something as simple as uploading your sunset pictures to the Weather Network will require you to sign away your rights:

You hereby grant to PMI a world-wide, royalty-free, perpetual, irrevocable, non-exclusive right and licence to use, reproduce, modify, adapt, publish, translate, distribute and sub-licence any and all material or information submitted by you to this Web site or by e-mail to PMI and/or to incorporate it in other works regardless of form, medium or technology. In addition, you hereby waive any moral rights you have in any and all material or information submitted by you to this Web site or by e-mail.

So what does all of this mean? Just be aware of what you’re agreeing to before you allow someone to use your pictures. You may not care where they end up or how they’re ultimately used, but I really had no idea about most of this stuff until recently. You may find that entering that contest will be more valuable to you than keeping the rights of a photo you cherish, or that you’re comfortable sharing your iPhone snaps via TwitPic, and that’s entirely up to you. It’s making an informed decision that counts!

This week in pictures: holiday retrospective

I‘m still on the fence as to whether I will be doing an official 365 (erm, 366) project in 2012, but I still seem to be taking a picture each day, and I do enjoy writing these posts, so let’s keep on keeping on for now. I posted a boatload of pictures over the last week, partly because I have had time to go through my archives and find some new favourites and partly because I have not really put down my camera at all this week. And really, how could I resist this ridiculously photogenic time of year?

This is what our Christmas looked like:

Christmas 2011

One of my favourite gifts this Christmas was a creative aperture kit for my Lensbaby. I’ve done shaped bokeh before, but this makes it very easy by providing a bunch of different cutouts you just pop into the Lensbaby, so any out-of-focus areas (known as bokeh) take on the shape of the aperture. Here’s the effect the heart-shaped one had on the tree lights:

Lensbaby Nikon Coffee Christmas Love

And here’s the star-shaped one with the neighbour’s Christmas lights. (There is a part of me that worries about being known as “That weird woman with the camera” in my neighbourhood.)

Lensbaby star aperture fun (2 of 3)

It can be more subtle when the lights are not as bright or contrasty. You can see the faint stars in the right fence post on this one, too:

Lensbaby fun (1 of 3)

Here’s what it looks like on the camera:

Baby you`re a star

Not for every day, but a lot of fun when used sparingly. 🙂 And speaking of bokeh, here it is without the shaped aperture. The glass ball is part of a decoration my mom bought for me ages ago — in fact, it was in my first 365 picture back in 2009. I keep meaning to play with it more:

Goodbye Christmas Tree

On a side note, if you’re killing time and looking for something cool to watch, check out this amazing time-lapse video that combines shaped bokeh, a glass globe just like this one and Los Angeles. I found it after I’d taken all these pictures and laughed at how they all came together in this video — I’ve watched it a couple of times and really love it!

Snow Globe Los Angeles from All Cut Up Films on Vimeo.

I’ve been noticing these lights on a fence in Manotick since the beginning of the season, and that gorgeous snowfall on Christmas day made for the perfect conditions to finally capture them. I love this picture!

Snowy lights

And no week in pictures would be complete without at least one portrait, right? Here’s Lucas, hard at work. He’s spent most of the week at the table doing exactly this: cutting, colouring, gluing and drawing.

Crafty Lucas

I’m not quite sure yet if this is another 365 project or not, but one thing is clear — I’ve no plans to stop taking pictures any time soon! 🙂 This post is getting a little long, but I thought I’d cram in this last one while it’s still fresh:

Happy 2012!

Happy 2012 from us to you!

Project 365: Afterthoughts on a very good year

Yay, I did it! Another 365 project under my belt. Because I finished on Christmas Eve, there wasn’t a lot of time to post a long-winded look back at the year in pictures, but you must have known it was coming!

Here’s all 365 of them, in the order they were posted:

2011 x 365

(Lots of greens and golds and deeply saturated colours, eh?)

As I’ve mentioned in a few recent posts, I was playing pretty fast and loose with the rules on this version of Project 365. While I was pretty rigid about following them for the first 365 project, I think it was more important to me this time around to be stretching my limits rather than following rules. It seemed more valuable to me to be thinking about photography in some way every day, whether it be learning a new photoshop technique or studying the work of someone I admire or reading a book on photography, than actually taking a photo every 24 hours.

The first 365 project back in 2009 certainly rekindled my love for photography, but I think it’s safe to say that this has been the year when photography became not just a passion but a lucrative endeavour. Here are some of the wonderful things that have happened during the course of this 365 project:

  • I acquired my darling D7000, a Lensbaby Composer and a 50mm f1.4 lens. (It’s not *all* about the gear, but good kit certainly helps!)
  • I launched Mothership Photography and established my signature porch portraits. Since the first mini-session in July I did five porch mini-sessions, seven family portrait sessions and a wedding. (And it occurs to me that I haven’t blogged about half of them. Good fodder for the long cold winter, yes?) Considering I was aiming for a session a month, I more than doubled my projection for the first year and had to turn people down in October and November because I simply didn’t have any room in my calendar. (It seems like a hundred years ago I put up the website and some posters around Manotick and feared that I’d never get a single client — and that was only March of this year!)
  • I had my first print credit, a collage of Manotick pictures used in an ad by our city councillor in the Manotick Messenger.
  • I was invited to be a contributor to Getty Images and had my first sales.
  • I sold my first photo to a print publication, pending in the January issue of Ottawa Magazine.

To look back to the launch of the first 365 project in early 2009 gives me a sense of vertigo — wow! We sure have come a long way, haven’t we? I learned so much this year I don’t even know where to start: portraiture techniques, post-processing in Lightroom and Photoshop, posing and lighting, to name a few. As a matter of fact, learning to use my flash properly is one of my big projects for the next year.

Here’s a few more favourites from the last year:

360:365 A Christmas Story (3 of 4)

241:365 My crazy family

98:365 My menfolk

177:365 Hello kitty

264:365 Traveling Man

149:365 One morning in Manotick

187:365 Fun in the grass

Thank you all for your ongoing support. Sharing what I’ve learned, what I’m trying and the pictures themselves with you makes this whole experience even more delightful for me. You inspire me to keep going, try harder and do better — thank you for that!

I can hardly wait to see what the next year brings!

Project 365: It’s a wrap!

I did it! We’ve reached the end, 367 days later, of my second 365 project. Maybe when you do more than one you get extra days snuck in? I never did figure out where I dropped a couple of days, but regardless, we’re here at #365 again. Here’s the last week in photographs.

Looking back over the week, it looks like I was subconsciously trying to cram in a whole bunch of my favourite techniques: Lensbaby, textures, B&W, long exposure — and plain old cuteness, too. I had fun playing with textures with these ornaments:

363:365 Christmas music

And I torqued these colourful ribbons a bit with my Lensbaby lens:

358:365 Lensbaby ribbons

This was a picture I took over a year ago, from a boat cruise on the Ottawa River, and I stumbled across it in my archives. I was thinking about how timeless the view of the Chateau Laurier on the bluff is, and how this particular view gives to clue to the era when it was taken, so I played with textures in Photoshop to make it look like a reaaaaaally old picture, instead of just a moderately old one.

360:365 Chateau on the Hill

This picture doesn’t do the craziness of the light show on this house justice. Even with a wide-angle zoom, I couldn’t get it all in — and apparently they run the lights all night long. Yeesh, so much for energy conservation!

359:365 Crazy Christmas lights

I took a picture similar to this a few weeks ago, but I wasn’t thrilled with it. This is much closer to what I wanted to capture. Oh my but he’s growing up SO quickly!

361:365 Guitar player redux

This was my favourite of the Creeping Mischief Monster series. It’s the zillionth example of a set of pictures I absolutely adore that would have never happened if I didn’t have the camera out because I needed a shot of the day.

360:365 A Christmas Story (3 of 4)

I’m not entirely why I love this one, but I really do! I took it on the last day before the holidays, when I had Lucas with me at work for the annual kids’ Christmas party. I called it “Executive VP in Charge of Cuteness.”

364:365 Executive VP in charge of cuteness

And finally, for the sake of completeness and also because it is still, after all, Christmas Day: the final picture in this second iteration of Project 365.

365:365 That's a wrap!

That was a hell of a lot of fun!

Now what?????

A Christmas Story

There I was, minding my own business, playing with the Charlie Brown Christmas tree and taking pictures of the reflections in the shiny red ball …

A Christmas Story (1 of 4)

… when all of a sudden — dun dun DUN — I saw him: the Creeping Mischief Monster!

A Christmas Story (2 of 4)

And even more terrifyingly, at that exact moment, he noticed it. The shiny red ball!!

360:365 A Christmas Story (3 of 4)

After that, you knew this was inevitable.

A Christmas Story (4 of 4)

This is why we can’t have nice things.

😉

Project 365: The penultimate post!

Only one week left in this iteration of the 365 project! Of course, the big question now is what comes next. I’m still not sure of the answer to that one myself – stand by and I’ll let you know when I know!

I had a great time with fakery and rule-breaking this week! The end of the project seems to find all my standards dropping like flies. Like this one – it’s true we’ve had an unseasonably mild month, but does this look like a picture that was taken in December in Ottawa?

356:365 Joy

I found it in my archives when I was looking for something else. I’d taken it back in October and for whatever reason didn’t like it enough to even post it, but when I saw it this week I loved it and wanted to share the bright, warm colours. And that ended up being such a busy day that I didn’t actually take any pictures even remotely as lovely as this one, so I just decided this would be the photo of the day.

And then there’s this bit of fakery. I wanted to revisit Watson’s Mill in Manotick one last time before the end of the project, and I knew it would be lovely all decked out for Christmas. When I was setting up my tripod last night, to my great delight it began to snow. But, to capture the lights and detail on the Mill the way I wanted to after dark, I needed a 30-second exposure, which rendered the snow completely invisible — so I added it back in with an overlay in Photoshop. I’m quite pleased with my growing facility with Photoshop and PSElements! What do you think? Would you have guessed it’s not authentic snow?

357:365 Watson's Mill dressed for Christmas

Then again, sometimes no fakery is required — you just have to point your camera in the right direction to capture the cuteness.

352:365 Gingerbread boys

353:365 Willie and Lucas

(The expression on Willie’s face slays me. You’d never guess that he had willingly gone to sit beside Lucas, would you?)

Speaking of Willie… sigh. He seems to be going through some sort of teenage rebellion, or maybe someone is feeding him mischief pills. He’s a complete and utter PITA lately. I was playing with the Christmas lights, trying to get one of those sentimental shots of the tree lights all blurred out in the background with a favourite ornament in the foreground (it’s rather astonishing that I’ve never attempted that particular cliché before, as it’s so clearly in my bailiwick) but this kept happening:

351:365 Christmas helper

I’m not sure that I like this shot. Sometimes looking at Lensbaby shots makes my eyes itch.

354:365 Lensbaby wreathes for sale

This shot, though? Instant fave. I specifically went out at dawn (which is some time just before lunch time at this time of year!) to go shooting on that very foggy Wednesday morning this week. I turned down a road just south of Manotick I’d never been down before, and just ask I was making the corner I noticed the canted speed limit sign and the telephone poles on either side of the road that disappeared into the fog, and got out of the car to take a few shots. I was just clicking the shutter when I saw the headlights resolving in the fog in the distance and at first I was ticked, thinking I’d have to clone them out of the final shot because they’d messed up my lovely composition. Then when I got home and saw the picture on my monitor I realized that the headlights actually make the shot. This is one of my fave B&W shots of the year, and ended up popping into Flickr’s Explore, too (which is now more than a nuisance than anything – can’t believe how I used to covet having a picture in Explore!)

355:365 Foggy morning in Manotick [Explored]

Such a contrast to the warm, colourful shots above, eh? 🙂

And, I got a nice early Christmas present from Getty Images last night. They send out their sales invoices once a month, and mine popped up yesterday. I sold five images in four countries! My signature “puddle jumper” shot sold twice, including one to a local artist who bought the rights to turn it into a watercolour painting. How fun is that? Here’s the images that sold last month:

338:365 / 430 pm237:365 Lucas loves kitty286:365 Migration125:365 Puddle jumper

One more week to go!

Edited to add: how fun is this? I just found the source for the buyer that used the Willie and Lucas picture. And you know what it was used for? To illustrate the question “what’s the cutest pet picture/slideshow ever.” Bwhahahaha! It’s on an NBC Universal pet site (!) called Petside.

Screen cap - Getty sale